Premieres Thursday, April 2 (9:30-10:00 PM, ET/PT)
The newest CBS multi-camera sitcom Broke, features Jaime Camil as its leading man. Adding to its diverse primetime lineup, the majority of the main cast is Latino.
Single mother Jackie (Pauley Perrette), works two jobs to raise her son Sammy (Antonio Raul Corbo), while living on a tight budget. Out of the blue, her estranged and very wealthy sister Elizabeth (Natasha Leggero), Elizabeth’s husband Javier (Jaime Camil), and Javier’s assistant Luis (Izzy Diaz) visit. When Elizabeth confesses to Jackie, they are flat broke, Jackie reluctantly lets them stay with her until they can get back on their feet. Forcing the sisters to set aside their differences and reconnect as a family. Reminding them just how much they all need one another.
Camil, before becoming popular among American audiences in Jane the Virgin as Rogelio De La Vega, his entertainment career began in Mexican radio, in the early 1990’s. Later, between 1999 and 2002, he released two albums as a singer. At this time, Camil also started his career in acting in Mexican telenovelas, most notably Mi Destino Eres Tú (You are my Destiny), La Fea Más Bella (The Prettiest Ugly Girl) and Qué Pobres tan Ricos (How Poor the Rich). As well as performing in live musicals on Broadway and in Mexico. Since Jane the Virgin, Camil continues to act and has become very active as a voice character for a variety of animated shows and films, including the Disney properties Coco, Elena of Avalor, The Lion Guard, and DuckTales.
The character of Javier is portrayed as a well-educated, positive and a loving family man. Challenging the traditional Latino male media stereotypes (criminal, violent, domineering, lazy, womanizing, etc.). Javier’s biggest challenge is attempting to make a life outside of his wealthy and sheltered upbringing. To prove to his wealthy family, he can be financially responsible.
A unique aspect of Broke is the use of Spanish. While English is the primary language of the show, Spanish is sprinkled throughout the show, especially in conversations between Javier and Luis. Further defining their cultural bond and close friendship. Also, the use of subtitles helps the Spanish become more accessible to the audience, especially those of us with limited Spanish skills.
Broke is based on the Colombian telenovela Pobres Rico (Poor Rich People). Coincidentally, in the Mexican version of Pobres Rico, Qué Pobres tan Ricos, Camil starred as the main character, the rich man who turned poor.
Alex Herschlag, the creator of Broke, is a seasoned comedy television producer and writer, most notably for Will & Grace and Modern Family. Victor Gonzales, the show’s director, has an impressive resume working as a director on multiple contemporary sitcoms, including multiple Latino oriented sitcoms, such as George Lopez, Wizards of Waverly Place, Cristela, One Day at a Time, and Mr. Iglesias.
Overall, Broke is a warm-hearted family-based comedy. A breath fresh air in a time of tremendous stress and isolation, reminding us all how important family unity is, especially in a time of crisis. Broke premieres on CBS, Thursday, April 2 at 9:30/8:30c.
Rafael Garcia, Disney’s Newest VP of Original Series Development
Disney Channel, a subsidiary of the Walt Disney Company, has promoted eleven talented executives and staffers to SVP (Senior Vice President) and VP (Vice President) positions, after a significant surge in programming content for all its various channels (including Disney Junior and Disney XD) and streaming service Disney+. Among these Disney promotions include Rafael Garcia, from Executive Developer, Original Series Development, to Vice President, Original Series Development.
Before Disney, Garcia had worked and expanded his creative skills with two other major names in family, child and adolescent television entertainment, Nickelodeon and Cartoon Network. During his time with Nickelodeon (2008-2013), as Director, Executive in Charge, Original Series, Garcia developed and supervised the production of animated Pelswick and oversaw live action comedy The Nick Cannon Show programs. With Cartoon Network (2008-2012) as Director of Original Series, Garcia continued to develop his skills as executive producer for a variety of live action programming including comedies, game shows, docu-series and reality (Dude, What Would Happen) shows.
With the growth of the Latino consumption of Disney media and the financial success Disney has had with Latino orientated and Latino starring content (Elena of Avalor, Wizards of Waverly Place and Coco), Garcia’s promotion is essential to the growth of Disney’s Latino audience. By having a talented and experienced Latino in an influential position of creating original content, it increases positive and accurate Latino participation in Disney’s content both behind and in front of the camera.
From 2012-2014, Garcia began with Disney as Director, Current Series (Disney ABC Television Group and Disney XD) overseeing all phases of the production of multiple programs (Lab Rats). Later (2014-March 2020), Garcia was promoted to Executive Director, Original Series Development (Disney ABC Television Group, Disney Channel and Disney XD). He oversaw the forming and production of several original live-action series (Gamer’s Guide to Pretty Much Everything) on various platforms.
In his new role Garcia will be responsible for developing live-action series, with an emphasis on finding emerging content creators, for both Disney Channels and Disney+.
Outside of Disney, Garcia has been a board member of Colour Entertainment Groups since 2014. A non-profit, which is, a non-profit, which is, dedicated to maximizing the potential of executives of color who work in the entertainment industry.
Directed by Rusty Cundieff | USA | 1995 | Color | 98 minutes | R
Frida After Dark commemorates the 25th anniversary of Tales from The Hood with screenings of the cult horror anthology classic.
Three young drug dealers go to the local funeral home to purchase drugs from Mr. Simms, an eccentric mortician. As Mr. Simms leads the unsuspecting crooks to the drug stash, he regales them with stories of his newly departed patrons. The dealers become impatient but the mortician goes on with stories of increasing strangeness.
A unique experiment in anthology-style horror, Tales from The Hood combines supernatural elements with striking commentary on urban issues.
“One of the smartest genre offerings of the era and, quite possibly, the best anthology of its decade.” – Dustin Putman, TheFrightFile.com
“If Get Out is about the way racism now hides behind America’s grinning, faux-liberal facade, Tales is about how poverty and ignorance are causing young black men and women to rage war against themselves.” – Chris Alexander, Alexander On Film
“A landmark genre picture.” – Mike McGranaghan, Aisle Seat
JLO & Shakira 2020 Super Bowl History Making Performance
Culminating A History of Latino Super Bowl Performances
Written by Justina Bonilla
This year’s Super Bowl was notable for many firsts. For the first time in Super Bowl history, all halftime headliners and national anthem singer, where Latinas.
Kicking off this groundbreaking Super Bowl was Demi Lovato profoundly and beautifully singing the national anthem. Taking it to the next level, Shakira and Jennifer Lopez (J.Lo)’s electrifying Super Bowl halftime performance highlighted the best of Latino culture and talent, with the musical support of Bad Bunny and J Balvin. The performance also included the music debut of J.Lo and singer Marc Anthony’s daughter Emme Muñiz.
Since 1967, only three Latinas have sung the National Anthem for the Super Bowl. Mariah Carey was the first Latina National Anthem performer in 1992. Followed by Christina Aguilera and Demi Lovato. However, the first Latina singer to perform as a featured talent for a Super Bowl was Vikki Carr, during the opening ceremonies in 1977. Due to the national anthem not being sung that year, Carr instead sang America the Beautiful. She paved the way for future featured Latina and Latino Super Bowl performers.
Throughout Super Bowl halftime show history, only 14 Latino performers have been headliners or noted featured talent, within 8 halftime performances.
The first solo Latino musical headliner for the Super Bowl halftime show was Latina music legend Gloria Estefan in 1992. It would take another 24 years, before another Latino, Bruno Mars, would be the first solo male Latino musical headliner for the Super Bowl halftime show in 2016. Other Latinos halftime performers include Christina Aguilera, Enrique Iglesias, and Fergie with The Black Eyed Peas.
While both Shakira and J.Lo each brought their own flavor and sparkle to their performances, each made strong statements. Shakira’s performance emphasized Latino multiculturalism, while J.Lo’s performance was political.
Shakira: Diversity Within the Latino Community
When many people think of Latino culture in America, they tend to think of Mexican culture, due to Mexicans being the largest of the U.S. population at 66% with the 2nd largest group, Puerto Rican coming in at a distant 9.5% of the population. However, Latino culture is extremely diverse stretching over a multitude of countries and territories, especially in the Americas and the Caribbean. Its heavily and continually impacted by immigration, multi-racial, multi-ethnic and multi-religious influences.
Shakira who is from Colombia, identifies as a half-Colombian and half-Lebanese Latina. During her performance she belly danced and used the Zaghrouta (a high-pitch tongue call to express strong emotions, partially joy). She also used African based rhythms and dancing in her performances.
Arabs and Africans have lived in Latin America for centuries, as a result of the Spanish and Portuguese colonization of the 15th century. Their influences are deep-rooted in Latino culture, including music. Arab rhythms can be heard in flamenco, while African rhythms can be heard in Rumba and Conga. Shakira’s entire performance challenges how singular Latino culture is perceived in America, proving its vast diversity.
Jennifer Lopez: Latino Orientated Political Issues
J-Lo opened her performance with a bang, with her signature dancing style and singing her biggest hits. Her performance was peppered with strong political statements about current immigration policy, Latino American Identity and Puerto Rico.
As her daughter Emme made her singing debut on television, she and other children were first seen round glowing cages, along with red lights behind the stage mincing the look of a chain-link fence. These images artistically symbolize the inhumane immigration policy of child imprisonment and separation from parents. Tragically, these separations have led to severe psychological trauma in the children taken from their families. Adding insult to injury, many of these children will end up in foster care and never be reunited with their families, due to the incompetence of ICE’s organizational and documentation abilities.
All of the children on stage, were wearing white (a color associated with innocence), with bedazed American flags on their tops. J.Lo joined Emma on stage singing the chorus of Bruce Springsteen’s hit, Born in the U.S.A., emphasizing the fact that U.S. Latinos are Americans, for the most part. While many of us have strong ties to immigration (i.e. immigrant parents or grandparents), according to PEW research, since 2000, the majority of Latino population growth in America is by birth rate. The majority of Latino immigrants in America are documented, with the percentage of undocumented Latinos decreasing.
Unfortunately, Latinos are still heavily stereotyped as embodying the negative aspects of immigration, including crimes committed by undocumented “criminal aliens”, exploiting social welfare, and unwillingness to assimilate. These twisted ideas have been exacerbated and used as a political weapon in this heated political climate. This has led to increased harassment against Latinos, such as Latinos with legal status being arrested and illegally held in ICE facilities, including Puerto Ricans.
To emphasis that Puerto Rico is an American territory and that all Puerto Ricans are American citizens, J.Lo wore a reversible cape, with the Puerto Rican flag on the inside and the American flag on the outside. The message here is that Puerto Rico is an American territory, thus a part of America. This also brought awareness that Puerto Rico still needs aid from the devastation of recent natural disasters and political unrest.
As a Latina I’m proud that these women used their platform to elevate the Latino image through their incredible talent and hard work. My hope is this halftime performance will be the beginning of more inclusive entertainment, highlighting the beauty and strength of Latinos and our culture.
Latino Headliners and featured talent for The Super Bowl halftime show:
1992: Gloria Estefan (headliner)
1995: Arturo Sandoval (guest appearance)
Miami sound Machine (guest appearance)
1999: Gloria Estefan (co-headliner)
2000: Edward James Olmos (narrator)
Christina Aguilera (co-headliner act)
Enrique Iglesias (co-headliner act)
2011: The Black Eyed Peas (Fergie co-headliner)
2014: Bruno Mars (headliner)
2016: Bruno Mars (guest appearance)
Gustavo Dudamel (guest appearance)
2020: Jennifer Lopez
Latino talent who performed the National Anthem for the Super Bowl:
Kobe Bryant’s Latino Connection and Collaborations
Written By Justina Bonilla
The world is still reeling from the news of the shocking and devastating deaths of Laker Icon Kobe Bryant, his 13-year-old daughter GiannaBryant, the six family friends and pilot, from the tragic Sunday morning helicopter crash. Millions of Latino fans in America and abroad regard Kobe’s untimely death as the loss of a beloved member of the Latino community. And profoundly heartbroken over the loss of one of our princesses, GiGi.
Over the years, the Latino community has deeply admired non-Latino icons such as Bryant, President John F. Kennedy, Attorney General Bobby Kennedy, Comedian Richard Pryor and Music Legend Prince. However, Kobe’s impact was deeper. Most notably because Kobe respected his Latino fans throughout his career, and once commented that it was the Latino fans that first embraced him when he moved to L.A.
Kobe took time to learn about the culture, learned Spanish and gave to charity, work he did with his Mexican-American wife, Vanessa. Yet, his greatest legacy, was being a loving family man to his wife and four “mejicana” daughters as he once called them.
Among Kobe’s collaborations on commercials and short films with well-known Latino celebrities in sports and film, a few stand out. The result was the embodiment of Kobe’s pop-culture impact which now, will live on as a testament to his persona. Each captures a different aspect of him, from the power of the man and his silly side.
Paul Rodriguez Jr., son of Latino comedic pioneer Paul Rodriguez, known as P-Rod, a street skateboarder, actor, rapper, and recording artist. Rodriguez has won a total of eight medals at the X Games. Kobe does a brief cameo in Rodriguez’s extended Nike commercial, which focuses on Paul Jr. skating around iconic images of Los Angeles.
In the behind the scene footage, Kobe is seen expressing his amazement of Paul Jr.’s skills stating, “Yo, that’s nuts”. When Paul Jr. is later interviewed about his experience of working with Kobe, he wanted to do his best for an athlete he admired.
For this unique project, Kobe collaborated with director Robert Rodriguez. Rodriguez co-wrote and directed this six-minute short film about Kobe’s Black Mamba persona. Which also included appearances by Danny Trejo, Bruce Willis, and Kanye West as a part of the cast.
The most memorable part of this short, is the ending. Robert says to Kobe, “Black Mamba doesn’t end. Heroes come and go”. While Kobe smiles and replies, “But, legends are forever”.
In this LA Times interview, Kobe and Robert describe how this project came to be. With Kobe emphasizing he was a fan of Robert’s work for a very long time and felt that he was the only person who could direct it.
The full trailer is available online. But, WARNING The ending of this trailer, might cause distress. A helicopter is shown exploding and on fire. Which is a result of Kobe, who survives unscathed, throwing a bomb at the villains’ escape helicopter, causing it to explode.
This short commercial, spoofs the iconic Risky Business scene where Tom Cruise dances at home along to the classic song, Old Time Rock and Roll, with four major athletes. Alex Rodriguez, Tony Hawk, Michael Phelps and Kobe are dancing, being silly and having fun in this one of many of Guitar Hero reimaginings of this iconic scene. Alex would refer to Kobe as a close friend, whom he highly respected and admired.
Kobe is seen as many things, including a trailblazer, pioneer, hero, icon, the greatest Laker of all time, greatest basketball player of all time and “The King of Los Angeles”. But, we will always see him as a part of La Raza.
All the helicopter occupants:
Gianna ‘GiGi’ Bryant
Latin Heat extends our deepest condolences, thoughts, prayers, and love to those who lost their lives or loved ones.
Rest in Peace King Kobe, Princess Gianna, and to the beloved friends who also lost their lives.
In honor of HorrorBuzz’s special screening of A24’s Hereditary, I’d like to take a look at 10 other Sundance horror favorites that have shaped the boundaries of 21st century horror.
A Girl Walks Home Alone at Night(2014)
Described as “The First Iranian Vampire Western”, this film takes an unorthodox look (with a hint of David Lynch) at the vampire love story. A young man falls in love with a mysterious woman, who turns out to be a skateboarding vampire that preys on men who disrespect women. Slow building and atmospheric, this movie makes limited use of dialogue and offers subtle social commentary, qualities that add to the strength and eeriness of its visuals.
Combining strong influences from German Expressionism with the heavy emotions associated with grief, The Babadook creates an unsettling black hole of frenzy. A grieving widowed single mother and her son face an evil deity from a creepy story book, taking over their home and life. The intertwining of the emotional trauma and the supernatural is so tightly wound that it’s difficult to tell what’s real, keeping you on edge.
Under the Shadow(2016)
A hauntingly creative film, Under the Shadow mixes traditional Middle Eastern folklore, cultural pressures and the social consequences of modern warfare. In 1988 Iran, a mother and young daughter face the terror of the Iran-Iraq war and evil spirits in their home after a missile crashes through their roof but doesn’t detonate. It’s a unique perspective of a society struggling between its old ways and modern cultural evolution.
What We Do in The Shadows(2014)
This quirky horror comedy takes a This is Spinal Tap-style approach to present vampires in a new light. Four vampire flatmates of various ages are filmed by a documentary team, showing their daily struggle as roommates while also trying to adapt to the modern world. A hilarious reinvention of the vampire story, horror fans will be sure to enjoy What We Do in the Shadows.
The directorial debut of Robert Eggers, The Witch utilizes imagery, sound, and deep attention to detail to create a distinctly sensory horror experience. In the 1600s, a farmer and his family go to live in the dreary New England woods where they face fear, paranoia, and the evil lurking in the neighboring trees. Divisive and horrifying, it will leave you with chills long after it ends.
One of the best roles of Nicolas Cage’s recent film career, Mandy is wild even by the standards of Cage’s filmography. When Red’s girlfriend Mandy is kidnapped and killed by a sadistic cult, he goes on a bloody rampage to defeat the cultists and avenge her name. A psychedelic horror film that seamlessly combines a multitude of genres, Mandy is unlike anything else in film today.
Based on the controversial novel of the same name, American Psycho is bitingly critical of the 1980s yuppie culture. Wall Street yuppie Patrick Bateman, is obsessed with everything being perfect, a goal that is hindered by the psychotic murderous outbursts he has from time to time. Surprisingly, it was adapted into a popular and well-reviewed musical that ran in London and Broadway.
Comedian Jordan Peele’s directorial debut in horror, Get Out kicked off a new wave of ethnic-focused horror. Chris, a black man, goes to meet his white girlfriend’s family only to be unknowingly dragged into horrific, racially-motivated exploitations beyond his wildest nightmare. Filled with symbolism and metaphors for racism, Get Out is an insightful commentary on the state of race relations in America today.
The first feature film of director James Wan, Saw ignited a long-running franchise and created Jigsaw, one of modern horror’s most popular villains. Jigsaw imprisons two strangers, with the two awakening to find themselves pawns in his twisted game of death. A film known for its disturbingly unique death traps, it has become a part of horror pop culture like its predecessors Halloween and Nightmare on Elm Street.
The Blair Witch Project(1999)
Without a doubt, the impact of The Blair Witch Project on horror cinema was nothing short of a revolution. Told through found video footage, three students explore the urban legend of the Blair Witch in the woods until they lose their map and become victim to the eeriness around them. Due to the disturbing simplicity of the film, many were convinced that it was a real documentary. One of the most significant films of modern horror, its influence can still be seen in movies over twenty years later.
2020 Oscar Noms Find Latinos Lacking In Front of Camera
Written By Justina Bonilla
The announcement of the 92ed Oscar nominations left many disappointed in the lack of ethnic talent being recognized. For Latinos and Latinas, there were sadly no nominations in front of the screen, other than a nomination for Antonio Banderas in the lead actor category. However, an array of Latino talent were nominated in a variety of categories behind the camera.
It was encouraging to see more Latino talent featured in major films of 2019, which includes: How to Train Your Dragon: The Hidden World (America Ferrera); Us (Lupita Nyong’o); Alita Battle Angel (Rosa Salazar); Terminator: Dark Fate (Gabriel Luna, Natalia Reyes & Diego Boneta); and The Adams Family (Oscar Isaac). Along with Latino oriented films including, Miss Bala (Gina Rodriguez), Dora andThe Lost City of Gold (Isabela Merced (Moner), Michael Pena, Eva Longoria, Eugenio Derbez, Benicio del Toro); and Red 11 (Carlos Gallardo, Ulysses Montoya). Nevertheless these few films are just a drop in the bucket of Latino representation among the over 230 American films released in 2019.
When Latino in Hollywood are only 3% of all the lead roles in Hollywood and only 4.5% of the more than 47,000 speaking roles in the 100 top-grossing U.S. films (according to the USC Annenberg Inclusion report released last year) the likelihood of Latinos getting an Oscar nominations is unlikely if the roles are not there. Therefore, when the few Latinos who did land a lead role are overlooked for an Oscar nomination, it is even more glaring and frustrating.
Latino Oscar Nominees:
Performance by an Actor in a Leading Role:
Antonio Banderas in Pain and Glory
Best Animated Feature Film of the Year:
Klaus – Sergio Pablos and Marisa Roman
Toy Story 4 – Jonas Rivera
Achievement in Cinematography:
The Irishman – Rodrigo Prieto
Achievement in Costume Design Nominees:
Jojo Rabbit – Mayers C. Rubeo
Best Documentary Feature:
The Edge of Democracy – Petra Costa and Tiago Pavan
Best International Feature Film:
Pain and Glory – Pedro Almodóvar (Spain)
Overlooked talent worthy of Oscar nominations:
Best Actress in a Leading Role:
Lupita Nyong’o in Us
Best Actress in a supporting Role:
Ana de Armas in Knives Out
Jennifer Lopez in Hustlers
Achievement in Cinematography:
César Charlone – The Two Popes
Checco Varese – It Chapter Two
Achievement in Directing:
Fernando Meirelles – The Two Popes
Achievement in Makeup and Hairstyling:
Mike Elizalde – Scary Stories to Tell in the Dark
While it’s easy to view the Oscars and its academy as the main culprit for the lack of diverse nominations, its merely a side effect of a bigger issue, lack of opportunity. The obstacle reinforces the struggle ethnic actors, including major ethnic actors face in being limited in access to roles, typically because of stereotypes put on cultures, ethnicities, race, etc.
As director Luis Valdez pointed out, “Hollywood deals in stereotypes in every movie that it makes”. For example, the high school films feature the stereotypical roles of the nerd, jock, outcast, popular girl and bad boy (The Breakfast Club); while Latino stereotypes in film are usually negative like gangbangers, drug dealer, or overly sexualized.
Adding to the stereotyping problem, which also takes screen representation away from Latinos is the continued practice of “brown facing”. Brown facing is when white actors are given Latino roles written as Latino, often perpetuating stereotypes. Or worse, when a white actor completely washing out the ethnicity of characters based on real-life Latinos, such as Ben Affleck in Argo portraying Mexican-American technical operations officer for the Central Intelligence Agency, Tony Mendez, or Jeffrey Hunter in Hell to Eternity portraying WWII Mexican-American war hero Guy Gabaldon. These roles lead audiences to believe these real life heroes where white, not Latinos.
Since the beginning of Hollywood, the majority of the stories in film have mainly focused on the White American social experiences and cultural perceptions. As for ethnic talent, they have either faced more obstacles to get an opportunity for a role in Hollywood, or had to establish themselves outside of Hollywood in order to be recognized i.e. Guillermo del Toro (Pan’s Labyrinth).
Despite recent ethnic themed and cast films like Coco, Crazy Rich Asians, and Black Panther becoming highly successful, major studios are still reluctant to make room for ethnic talent and stories to thrive the same way white talent and stories have and still do.
With the recent announcement of the initiative LA COLLAB backed my Los Angeles Mayor Eric Garcetti, whose mission is to accelerates Latino visibility and authentic representation, Latinos are now being more proactive about seeking parity. it is hoped that this will help increase Latino participation in Hollywood. And begin the dismantling of institutionalized stereotyping within the industry.
Behind the Lens: Oscar Nominee Rodrigo Prieto For “The Irishman”
Written By Justina Bonilla
Martin Scorsese’s recent film The Irishman on Netflix has become a hit with critics and audiences alike and with members of the Academy of Motion Pictures Arts and Sciences who just gave the film 10 Oscar nominations.
Though filled with the Scorsese trademarks, its most notable feature is the CGI effects used to de-age the main actors, Robert De Niro, Al Pacino and Joe Pesci, thanks to its Oscar-nominated cinematographer Rodrigo Prieto.
Prieto was born in Mexico City, Mexico. He’s known for his style of “strong moody lighting”. As well as experimental and unconventional camera techniques.
Over his career, Prieto has worked with a variety of highly respected American and international directors, including Oliver Stone, Ang Lee, Pedro Almodóvar, Spike Lee and multiple collaborations with Alejandro Gonzalez Iñárritu. He has also collaborated with Martin Scorsese in three films, including The Wolf of Wall Street, Silence and now, The Irishman. For his cinematography work with Ang Lee (Brokeback Mountain) and Scorsese (Silence), Prieto received two Oscar nominations for Best Cinematography.
In The Irishman, Prieto faced the challenge of visual journey within 309 scenes and 295 different sets. Influenced by still photography, he used color science to create distinctive colors for each decade. From the use of Kodachrome emulation to emphasize colors and brightness for the film in the 1950’s, to the end of the film being colorless and bleak through bleach bypass.
For the CGI de-aging of the main actors, Prieto had to use three cameras, a primary camera and two witness cameras to capture each angle. He also used infrared tracking marks on the actors as visual markers for the CGI in post-production. At times, there were as many as three of these “Three Headed Monster” cameras capturing the actors.
Soon after its release on November 27th, The Irishman soon went on to win the Board of Review’s Best Film of 2019. It was also honored as one of the ten AFI’s Motion Pictures of the Year 2019 list; with 5 Golden Globe nominations. Adding ten (10) Oscar nominations to this impressive list, one of those for Prieto for Best Cinematography.
With all of the critical praise and recognition The Irishman it’s no doubt on its way for Oscar gold. If nominated for Best Cinematography, Prieto could become the 5th Latino to win Best Cinematography. Continuing the strong and growing presence of Latinos behind the camera.
Latino Oscar winners for Best Cinematography up to 2019:
Emmanuel Lubezki (Gravity, Birdman and The Revenant)
Guillermo Navarro (Pan’s Labyrinth)
Claudio Miranda (Life of Pi)
Alfonso Cuarón (Roma)
Oscar Nominated Latino cinematographers up to 2019:
Gabriel Figueroa (The Night if the Iguana)
César Charlone (City of God)
John A. Alonzo (Chinatown)
William A. Fraker (Looking for Mr. Goodbar, Heaven Can Wait, 1941, WarGames, and Murphy’s Romance)
Honorable Mentions: Other Latino/Hispanic Cinematographers in films of 2019:
Gabriel Beristain (Iron Man 3, Suicide Squad, Blood In Blood Out)
Checco Varese (It Chapter Two and Replicas)
Pablo Díez (The Final Wish)
Patrick Munguia (Miss Bala)
Juan García Gonzalez (Wonder Park)
Robert Rodriguez (Red 11)
Michael Dallatorre (Brightburn)
Javier Aguirresarobe (Dora and the Lost City of Gold)
Also Catch the CNN Documentary Linda Ronstadt: The Sound of My Voice Currently on Demand And Available on DVD and Blue Ray
Written By Justina Bonilla
Among last month’s honorees at the 42nd Kennedy Center Honors were Sesame Street the TV show, Sally Field, Michael Tilson Thomas, Earth, Wind & Fire, and music icon Linda Ronstadt this past December. Ronstadt joins the other talented Latinx performing arts titans such as Rita Moreno, Sammy Davis Jr.,Gloria Estefan, Carlos Santana, Martina Arroyo and Lin-Manuel Miranda to be so honored.
The Kennedy Center Honors were established in 1977 to “chart the international standard of excellence set by America’s artists, (some of which include Actor/Director Clint Eastwood, Singer/Performer Tina Turner and Opera Singer Jessye Norman), as well as the aesthetic inspiration provided by artists of other nations who have achieved prominence on these shores”, like Led Zeppelin, Paul McCartney and The Who. It’s the concluding and main event of an invitation-only weekend-long event, which includes in order, the Chairman’s luncheon, the State Department dinner, White House reception, and finally the Honors event and supper.
Honorees are recommended by both the Special Advisory Committee of the Kennedy Center and the general public. Then, based on their contributions to the arts (music, theater, motion picture, television, dance and opera), the five honorees of the year are selected by the Executive Committee of the Board of Trustees.
Ronstadt often referred to as “The First Lady of Rock” is one of the most remarkable female icons in American music history. She emerged professionally out of the 1960’s California rock scene, singing with the trio The Stone Poneys, then as a solo artist.
Seamlessly Ronstadt combined folk, county, pop and rock music, creating a unique sound, which fit her beautifully bold and distinct voice. She created a slew of hit songs, i.e.,Different Drum, You’re No Good, Blue Bayou and I Can’t Help It (If I’m Still in Love with You) among many. She released over 30 studio albums and 15 compilation or greatest hits albums. She then Ronstadt would also go on to experiment with opera and jazz in her music. In 1981 she auditioned and landed the lead of Mabel in The Pirates of Penzance for which she received a Tony nomination
After twenty years of establishing herself musically Ronstadt, honoring her Mexican heritage released her first Mariachi record, Canciones de Mi Padre (Songs of my Father). The highest selling non-English album in American history. For this record, Ronstadt would go on to win the 1988 Grammy for Best Mexican-American Performance and eventually the 2011 Latin Grammy Lifetime Achievement Award.
Ronstadt retired from singing in 2011. Later in 2013, she revealed while promoting her book Simple Dreams: A Musical Memoir, is unable to sing due to Parkinson’s Disease. Since then, she has been recognized with a diversity of honors:
2014: Inducted into the Rock N Roll Hall of Fame
2014: Awarded the National Medal of Arts and Humanities by President Barack Obama.
2016: Awarded the Grammy Lifetime Achievement Award.
Quentin Tarantino’s critically acclaimed Once Upon a Time in Hollywood is hitting The Frida Cinema this month! A critical yet longing homage to vintage film and TV, it’s only appropriate that we take a look at other films that feature or deal with Tinseltown.
Hollywood My Hometown(1965)
In this unique TV film, entertainer Ken Murray shows candid moments of old Hollywood’s most beloved stars. Through his amateur home videos, he lovingly films family, friends, and Hollywood stars at their prime or early in their careers. It has the added appeal of being an honest look at Hollywood culture during a period when major studios heavily processed and tightly controlled the images of their stars.
A biopic of the eccentric cult filmmaker, Ed Wood is Tim Burton’s passionate love letter to Wood and his films. As an underdog, Wood’s story is relatable for many others who came to Los Angeles with dreams of making it big in Hollywood but never did. Undeterred by production mishaps and the mediocre talent available to him, the film demonstrates the ludicrous lengths to which Wood would go to finish his projects.
Blacklist: Hollywood on Trial(1996)
A television documentary, Blacklist: Hollywood on Trial dives into Senator Joseph McCarthy’s scandalous investigation of Hollywood for Communist Party members, former members or sympathizers. These trials shook up Hollywood leading to the infamous “Blacklist” of 150 names, including the Hollywood Ten, the most famous victims of this era. This dark patch in American history is essential to Hollywood history, due to the devastating long-term impact on and off the screen.
Based on the book of the same name by Mick LaSalle, this documentary focuses on the actresses who became faces of women’s liberation in film during the pre-Code era. Before the cultural shift of the 1960s, actresses like Dolores Del Rio, Barbara Stanwyck and Mae West pushed the boundaries placed on women in society through Hollywood films. Taking on topics such as the gender double-standard of power, flawed heroines, and personal sexuality, the film shows how the legacy of these women lives on in spite of the Production Code’s severe restrictions.
Singin’In The Rain (1952)
This beloved musical comedy takes a satirical look at the culture of Hollywood’s silent film era and its transition to talkies. Showing the overwhelming structural changes needed to accommodate the public’s demand for sound, the movie touches upon how many actors’ careers were ruined by the advent of sound while others thrived. It also pokes fun at the massive egos that the industry tends to draw.
Easy Riders, Raging Bulls(2003)
The collapse of the traditional Hollywood studio system saw the rise of “New Hollywood” – that is, the movie brat era directors who revolutionized film as we know it. An in-depth documentary, Easy Riders, Raging Bulls analyzes the pioneering works of the era’s greatest filmmakers including Steven Spielberg, Frances Ford Coppola, Martin Scorsese, George Lucas and Roger Corman. It also explores the impact their films had on Hollywood and culture in general.
Robert Townsend co-wrote, directed and starred in this satire of Hollywood’s constant reinforcement of stereotypes, with a pronounced focus on ones pertaining to African-Americans. It also shows how many within the Hollywood system are oblivious to the problematic impact of these images, ignoring them as long as it helps their bottom line. While Hollywood is more diverse today than it was at the time of the movie’s release, stereotyping is still an issue and as such its message is still timely.
Louis B. Mayer, King of Hollywood(1999)
Before television, Mayer changed Hollywood forever by establishing MGM studios as the dominant force of Hollywood’s Golden Age. He’s also credited with creating the star system, the process of studios building up and controlling all aspects of an actor’s image such as Cary Grant. A penetrating look at Mayer, this documentary evaluates the deep impact his power and creations had on Hollywood as well as his turbulent personal life.
What Price Hollywood?(1932)
Before the multiple remakes of A Star is Born with Lady Gaga, Barbra Streisand, Judy Garland and so on, there was the original film, What Price Hollywood? All of these films follow the basic plot of a successful man falling in a downward spiral as the young woman he helps becomes successful. Each heroine faces major tragedy, exposing how fame and fortune doesn’t always equal happiness.
Arguably the most honest film about the dark side of Hollywood, Sunset Boulevard reveals how easily people in show business can find themselves trapped in destructive habits and lifestyles. Norma Desmond, a has-been actress Norma Desmond played by Gloria Swanson, symbolizes the perceived disposability of actresses by showing how the industry places “expiration dates” on women when they get “too old” and thus no longer “in vogue”.